After all the lights have been powered down, the boxes packed and shipped, the curtains folded, the pipe and drapes put away, and the carpets have been rolled up, I thought it was a good time for me to reflect on my day at The New York City Comic Con.
In the beginning, I debated about going. I was only able to get a ticket for one day and after the debacle with the ticket fiasco, I was convinced that no one at the NYCC really cared about us and our need to share our love of comic books and nerdom in general. Perhaps it’s the New Yorker in me that sees that the real motivation behind everything is the all mighty dollar. The commercialization of childhoods gets played out on a grand scale at these events.
I almost didn’t go.
But something funny happened along the way to the NY Comic Con. I began to feel the pull of representation. Last year, I made it my business to visit comic book creators and artists of color because I know how hard it is to create something that you want people to see or read. I know how hard the hustle is to push a book that no one knows about onto the masses. So I met people from Vexed Comics and I met the creator of A Reason To Smile and I realized that this comic con may not be just solely about the big companies trying to get rich off of our imaginations. All this to say, I knew that I should give this year’s NYCC a shot.
That is when I heard about Afrofuturefest.
Let’s pause here for some context. There has been a growing number of Facebook groups, hashtags, podcasts, and twitter accounts that have been exploring the growing visibility of “blerds.” You can call it either black nerds or nerds of color but one thing that’s for sure, this is a movement. The thing about this movement is that its goes far beyond Miles Morales, Black Panther, and Cyborg. This movement is about characters we’ve never hear of like The Mantamaji, Luca, or T.A.S.K. (to name a few) because these are the stories created for us by us. Podcasts like Black Comics Chat and Facebook groups like CNOC (Comic Nerds of Color) always seem to remind me that the “Big 2” are simply pandering to us.
So if you follow twitter accounts like @BlackGirlNerds and @theblerdgurl you would know that this movement isn’t a new thing. However, there’s a feeling that all of this is just starting to explode. Just knowing that these ladies who (dedicate their time to promote everything black superhero and beyond) would be at NYCC made me realize that I had to show support. I knew that I had to visit the Women in Comics table, I knew I had to visit every table @theblerdgurl posted on Tumblr, and I knew I had to meet Jamie Broadnax (Black Girl Nerds).
Which brings me to Afrofuturefest.
I’ve already went on record saying that the best part of NYCC this past weekend was the Afrofuturefest booth. It was a very large set up of tables solely comprised of creators of color with a huge banner and feeling of welcomed arrival. To explain what this is all about is simply pulling their description from the website:
A group of African-American Artists, Gamers, Filmmakers, Animators and Writers will be coming together on the MAIN FLOOR of the Jacob Javitz Center to showcase their work, meet fans, conduct interviews and celebrate all of those who love fantasy, sci-fi, horror, superheroes and pop culture.
As a writer I felt at home chatting it up. I met people. I bought books. I got signatures. I became a fan of the con again and all because I saw myself. I finally saw what it’s like to actually be visible in a industry that panders to us.
The beautiful thing about this is that this is just the beginning.
By the way, I should get a press pass huh?
2 thoughts on “Visibility & the Black Superhero at #NYCC”
NYCC is on my bucket list of cons to attend but I got sucked into the madness of DragonCon this year. I’m going to D*C again next year so NYCC will probably have to wait until 2017.